Strider's POETRY PUBLISHED IN MAGAZINES, JOURNALS, REVIEWS 2025


Really chuffed to have these 4 love poems published by dedicated Editor Nolcha Fox in ChewersMasticadores. Love the presentation.



4 Love Poems by Strider Marcus Jones


NO ROADS

with no roads on our map of conversation,
we began
without plan,
and climbed, into the branches of imagination,
past the twigs and leaves-
those apothecaries
of lost libation,
into houred improvisation-

through its desert wanting rain
after years of stasis,
in a slow camel train
searching for that oasis-
with moving dunes
and negative runes
fending off the grey
in a charmed, nomadic way.

happen then, that this cold acoustic tune,
met your luteful lagoon
of mosaical notes-
and the baton moved,
as was proved
round the wheel with ambient spokes,
conducting without rules
our forgotten fools.

somehow,
go now,
through the eye of words,
to the heart of this rhythm
and the scion of its schism;
then home, like migrating birds
into separate nests-
for now, love rests.

***

SILHOUETTES OF LOVE AND LUST

i love to watch the chocolate
slowly melt
between your lips
of silky liquid felt,
then lick and lap
soft suck sips
in rhythm with your hips,
making such moments of motion
plough tidal waves in your ocean
as each surge of storm
throbs to be born
until the stone and dust
of autumn yellow moon
casts silhouettes of love and lust
that burst and bloom
through every love-soaked scented night
shuttered from politics so cocooned
in plutocracies of blight.

***

PULSATING FLOWERS

so define me
now you know
the nature of my ways.

understand me
somehow, slow-
love is more, than what it says:

frequent pulsating flowers,
pollening my hands and inky breath;
softening, those quiet hours
through life and death.

close-ups and downs
that fit together,
challenging the bounds
in bonds that stretch forever:

postures in sounds
and elemental words
of surprise and wit-

found in tea leaf grounds
that make reluctant lovers
come to it.

***

OUR TALK

the soft wind, stroking your smiling face,
fingers your fine combed hair, in out of place-
and i know
when you go
nothing can make this mood,
or give its famine food.

our talk, branching through woods and sky
like young leaves, suddenly knowing why-
they need the sun again
to be, and to remain-
more than a copied canopy
to reach the plain out to me.

i lounge, in your living words libation,
with uncommon nouns, uncovered in creation,
and wait for wantings i can be-
where complex minds dwell in that simplicity,
where feelings go to touch
and come to mean so much.

Copyright © 2025 Strider Marcus Jones
All Rights Reserved

Strider Marcus Jones – is a poet, law graduate and former civil servant from Salford, England with proud Celtic roots in Ireland and Wales. He is the editor and publisher of Lothlorien Poetry Journal https://lothlorienpoetryjournal.blogspot.com/. A member of The Poetry Society, his five published books of poetry  https://stridermarcusjonespoetry.wordpress.com/ reveal a maverick, moving between cities, playing his saxophone in smoky rooms.  

His poetry has been published in numerous publications including:  Poppy Road Review; The Galway Review;  The Huffington Post USA; The Stray Branch Literary Magazine; Crack The Spine Literary Magazine; The Lampeter Review; Panoplyzine  Poetry Magazine and Dissident Voice.


Thrilled to have my poem " The Mess of Thrown-off Clothes" published in the superb Issue 11 of  Porch Literary Magazine. Thank you to the Editors and congratulations to all contributors. The Mess of Thrown-off Clothes – Porch Litmag


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The Mess of Thrown-off Clothes

by Strider Marcus Jones

i listen
to your love beads glisten
in the flotsam
of my room-

we make them
from samurai sword folds
at forge and loom
in the mess of thrown off clothes.

so many smoke me kisses
at portal doors,
and mithril wishes
on primitive floors-

take us back again
through heath and fen
to imitate
lost landscape-

cycle
and circle
sky and stone
outside and home-

in love in less
with your heavenliness,
and loneliness
durable under duress.

Strider Marcus Jones is a poet, law graduate and former civil servant from Salford, England with proud Celtic roots in Ireland and Wales. He is the editor and publisher of Lothlorien Poetry Journal. A member of The Poetry Society, and nominated for both the Pushcart Prize and Best of the Net, his five published books of poetry reveal a maverick, moving between cities, playing his saxophone in smoky rooms.His poetry has been published in numerous publications including: The Huffington Post USA; The Stray Branch Literary Magazine, Crack The Spine Literary Magazine, The Recusant, The Lampeter Review and Dissident Voice.

Tagged in: 11th EditionFebruary 2025PoetryStrider Marcus Jones



by Strider Marcus Jones 

i listen
to your love beads glisten
in the flotsam
of my room-

we make them
from samurai sword folds
at forge and loom
in the mess of thrown off clothes.

so many smoke me kisses
at portal doors,
and mithril wishes
on primitive floors-

take us back again
through heath and fen
to imitate
lost landscape-

cycle
and circle
sky and stone
outside and home-

in love in less
with your heavenliness,
and loneliness
durable under duress. 

Strider Marcus Jones is a poet, law graduate and former civil servant from Salford, England with proud Celtic roots in Ireland and Wales. He is the editor and publisher of Lothlorien Poetry Journal. A member of The Poetry Society, and nominated for both the Pushcart Prize and Best of the Net, his five published books of poetry reveal a maverick, moving between cities, playing his saxophone in smoky rooms. His poetry has been published in numerous publications including: The Huffington Post USA; The Stray Branch Literary Magazine, Crack The Spine Literary Magazine, The Recusant, The Lampeter Review and Dissident Voice.


Delighted to have one of my Haiku in the Best of The Mainichi in Japan 2024. Many thanks to Dhugal J Lindsay.

https://cdn.mainichi.jp/.../20250210p2a00m0et001.../0.pdf...




Strider Marcus Jones (UK)



turning wheel of time


paddle steamboat roaming down

the Mississippi

June 1, 2024

Comment: We think back to the time of Tom Sawyer.


Delighted to have my poem The Door published by brilliant Editor Barbara Leonhard on the fabulous MasticadoresUSA Magazine site today. https://masticadoresusa.wordpress.com/2025/02/14/the-door-by-strider-marcus-jones/


MasticadoresUSApoempoetry

“The Door” by Strider Marcus Jones

Posted by Meelosmomon

Door Grotto, William Marlow by The Metropolitan Museum of Art is licensed under CC-CC0 1.0


The Door


the door
between skyfloor
topbottom
 
is rankrotten
 
portalbliss
or abjectabyss.
 
it contains conversations
confrontations,
hiding loves two-ings
in lost ruins-
 
shuts us inside ourself
with or without someone else.
 
we,
the un-free,
disenfranchised poor
have no bowl of more-
only pain
on the same plain
as before,
homeless
or in shapeless boxes,
worked out, hunted, like urban foxes-
outlaws on common lands
stolen from empty hands.
 
files on us found
from gathering sound
where mutations abound
put troops on the ground.


Copyright © 2024 Strider Marcus Jones
All Rights Reserved


Strider Marcus Jones is a poet, law graduate and former civil servant from Salford, England with proud Celtic roots in Ireland and Wales. He is the editor and publisher of Lothlorien Poetry Journal. A member of The Poetry Society, his five published books of  poetry reveal a maverick, moving between cities, playing his saxophone in smoky rooms. His poetry has been published in over 200 publications worldwide including: Dreich Magazine; dyst Literary Journal; Impspired Magazine; Melbourne Culture Corner; Literary Yard Journal; The Galway Review; Cajun Mutt Press; Rye Whiskey Review; The Huffington Post USA; The Stray Branch Literary Magazine; Crack The Spine Literary Magazine; and Dissident Voice.

Delighted to have my poem Trapped in Manufactured Time published in The Crossroads Literary Magazine. My thanks to Editor John Patrick Robbins. https://thecrossroadlitmagazine.blogspot.com/2025/01/trapped-in-manufactured-time-by-strider.html


TRAPPED IN MANUFACTURED TIME

so lost schooled-
but not a fool,
stands in cold sunshine
on golden heath
where no kings rule
and ancestors of cottons thief,
make poor ends meet for dirty dime-
trapped in manufactured time.
he sits
and fits
in the shadows of its shades
and lines
on Cribden hill-
where clouds spill
like wire brillowed blinds,
imagining a wintered witch
composing pagan spells and rhymes
with bones like martyred blades,
whose burned marrow curses
industrialists and tokened slaves-
to believe a full purse is
how life measures made.
the trees are gone,
and wandering tribes,
who worked and gathered everything as one-
now live down in gas warmed hives,
in settled serfdom's
truths and lies.


Strider Marcus Jones – is a poet, law graduate and former civil servant from Salford, England with proud Celtic roots in Ireland and Wales. He is the editor and publisher of Lothlorien Poetry Journal https://lothlorienpoetryjournal.blogspot.com/. A member of The Poetry Society, and nominated for both the Pushcart Prize x3 and Best of the Net x3, his five published books of poetry https://stridermarcusjonespoetry.wordpress.com/ reveal a maverick, moving between cities, playing his saxophone in smoky rooms.



Thanks to Editor Barbara Leonhard for publishing my poem The Other Self latinosenglishedition.wordpress.com/2025/01/28/t…

The Other Self

the other self
abstracted in the press
of turned down pages,
gets mucked up in the mess
and shows how unlaminated age is.
if nothing else-
these nude notes
being played behind the curtain
where the stage is,
by soloist strings
and hermit woodwinds-
are far hopes
of uncertain
opening chords
calling out
to the duet
i haven't come to yet.
and afterwards,
if all those afterwards
could talk and kiss and spout,
there would be
no more misery
move it out.

Copyright © 2025 Strider Marcus Jones
All Rights Reserved

***

Strider Marcus Jones – is a poet, law graduate and former civil servant from Salford, England with proud Celtic roots in Ireland and Wales. He is the editor and publisher of Lothlorien Poetry Journal. A member of The Poetry Society, his five published books of poetry reveal a maverick, moving between cities, playing his saxophone in smoky rooms.

His poetry has been published in over 200 publications worldwide including: Dreich Magazine; dyst Literary Journal; Impspired Magazine; Melbourne Culture Corner; Literary Yard Journal; The Galway Review; Cajun Mutt Press; Rye Whiskey Review; The Huffington Post USA; The Stray Branch Literary Magazine; Crack The Spine Literary Magazine; and Dissident Voice.



Thrilled to have six of my poems published in this stunning issue 30 of 100Subtexts Magazine. Congratulations to editor John Hopper and all contributors. 100subtextsmagazine.blogspot.com/2025/01/100s…

Thrilled to have six of my poems in this stunning issue. Congratulations to editor John Hopper and all contributors. 100subtextsmagazine.blogspot.com/2025/01/100s…



NO ROADS


with no roads on our map of conversation,

we began

without plan,

and climbed, into the branches of imagination,

past the twigs and leaves-

those apothecaries

of lost libation,

into houred improvisation-


through its desert wanting rain

after years of stasis,

in a slow camel train

searching for that oasis-

with moving dunes

and negative runes

fending off the grey

in a charmed, nomadic way.


happen then, that this cold acoustic tune,

met your luteful lagoon

of mosaical notes-

and the baton moved,

as was proved

round the wheel with ambient spokes,

conducting without rules

our forgotten fools.


somehow,

go now,

through the eye of words,

to the heart of this rhythm

and the scion of its schism;

then home, like migrating birds

into separate nests-

for now, love rests.



SILHOUETTES OF LOVE AND LUST


i love to watch the chocolate

slowly melt

between your lips

of silky liquid felt,

then lick and lap

soft suck sips

in rhythm with your hips,

making such moments of motion

plough tidal waves in your ocean

as each surge of storm

throbs to be born

until the stone and dust

of autumn yellow moon

casts silhouettes of love and lust

that burst and bloom

through every love-soaked scented night

shuttered from politics so cocooned

in plutocracies of blight.



SO OPEN, BUT SO SILENT TO YOURSELF


so open, but so silent to yourself,

like missing books messing up a shelf-

some unfinished, the others read,

somewhere else in someone's head.

reason is reluctant to be heard

in conscience corrupt by tyranny blurred-

so leave the breaks in moorland grass,

and bound

unfound

where hours don't turn round

inside this glass

duplicity and old division

of curtained cell

instead of prism

equal and parallel-

go, go without trace

into uncovered space

revealing your own face.



OVIRI (The Savage-Paul Gauguin in Tahiti)


woman,

wearing the conscience of the world-

you make me want

less civilisation

and more meaning.



drinking absinthe together,

hand rolling and smoking cigars-

being is, what it really is-

fucking on palm leaves

under tropical rain.



beauty and syphilis happily cohabit,

painting your colours

on a parallel canvas

to exhibit in Paris

the paradox of you.



somewhere in your arms-

i forget my savage self,

inseminating womb

selected by pheromones

at the pace of evolution.



later. I vomited arsenic on the mountain and returned

to sup morphine. spread ointments on the sores, and ask:

where do we come from.

what are we.

where are we going.



FLOATY BOATY


old tracks and elven voices

through the ages clear,

echo those rejoices

then and now, not here.

into the West they went,

leaving behind her music and her scent

in the candle of her moon

and word warmed room

of silver branches-

where streams flow up

and starlight dances

over the cup

of cerebral foreplay

that makes the melancholy mundane day

go floaty boaty

on mental maps

where lips lapped

and tongue tip tapped

forward and back

on moist moaty-

a sensuous place, where conversations dream,

floated in speech bubbles above the scene,

anchored to each mouth and head-

stroking the music rising from the bed.



LOVE IS STRIPPED TO SHARING BREAD


we were kissing

and dancing

to a kitchen song,

talking with our wine

and smoking bong-

then you pushed your pierced pin

of forged fire

further in

the groove of my desire

with your tongue.


later,

up the creaking wooden escalator-


"let me do you" i said

peeling back your petals

with my voice:


love is stripped to sharing bread

abroad-in plain rooms-where Nora and Joyce

reject precious metals.


it brings to craggy green cliffs

that STILL talk-

of two minds, in the sea born mist

of one thought-

why should four legs walk

under clouds adrift.

glum damp rock moss cups

when we go to ground

under body musk

and pagan sound-


the meaning of the hour

when lit lusts flower

fills the air

everywhere

at last

and the future does not imitate the past.


Strider Marcus Jones – is a poet, law graduate and former civil servant from Salford, England with proud Celtic roots in Ireland and Wales. He is the editor and publisher of Lothlorien Poetry Journal https://lothlorienpoetryjournal.blogspot.com/. A member of The Poetry Society, and nominated for both the Pushcart Prize x3 and Best of the Net x3, his five published books of poetry  https://stridermarcusjonespoetry.wordpress.com/ reveal a maverick, moving between cities, playing his saxophone in smoky rooms.

His poetry has been published in numerous publications including: The Huffington Post USA; The Stray Branch Literary Magazine; Crack The Spine Literary Magazine;The Recusant, The Lampeter Review and Dissident Voice.


Thrilled to have six poems featured in the wonderful Bold Monkey Review. Thankye to editor George Anderson. georgedanderson.blogspot.com/2025/01/feat... 


Featuring: Strider Marcus Jones

 


CHANGELING TIMES

as these middle years back bleed,
the rags of old memories recede
into heirlooms handed on
forged in fondness, been and gone.

no time can turn back its mistakes
or mend the piece an action breaks,
to be the way it was before
its nature changed, to less, no more-

like fragments of the whole
tapestry, that reach out to find a role
in these changeling times
of lost roots and fading lines.

a trace of old hypnotic scent
and lived in words, now cold and spent,
separate in the centrifuge
of time through space and spinning blues.

the face and timbre of fate and facts
grow parallel and parallax,
when love leaves on opposite trains
in summer sun and grainy rains.



 

 

THE PATH, THE FENCE, THE FIELDS

 

we walk by the river

talking inside ourselves,

like rhapsodies in two reflections-

different, but the same.

 

the path, the fence, the fields-

unknown obstacles that stare

through then, and now, beyond-

have heard love chime before.

 

ahead the river breaks

going separate ways,

but we stick to the same side

in the willow woods

 

and farms of flooded fields-

with ascension stroking

each reaction

phosphorus in the rain.



 

 

ADUMBRATE LOVES SHALLOWS

goddess of the moon
fusion of light and shadow,
come now, light my room-
make darkness shrink and narrow.

gravitate to me
awake inside unnatural light,
half written, half unknown i be
eclipsed in doubt, but inward bright.

bring your blooms to this fallow bed
alone in fates sad stare,
wrap me in your ethereal thread,
to reset time and covet care.

adumbrate loves shallows
in my sanctum core,
where the pastels fade and pallow
without depth and shade on dwindling shore.



 

 

BOOTS OF HARLEY

 

this universe has no center

and you're not there.

this sun is only sunny on the hood-

its light can't bend more benter

to be fair

as time stops running rings in wood.

 

the floorboards creak

and pictures speak

when I stand in empty corners making room,

for ghosts that want to have my seat

when they come in from the street

after riding like Valhalla under sun and moon.

 

summer shoes,

with beards of barley

in their soley grooves-

still think they're boots of Harley

on electra glide down highway avenues-

with a woman's arms around my waist

singing Bob Marley

and promising me her taste.

 

foot down. legs braced-

rocking back the headboard on the bed and base

in the hanging of her breasts

where my head would rest,

her lips a vanished beauty of the past-

explode

unload

to this contrast-

 

that turns its empty pages in my head

unlit, as I lie in bed,

running out of Kerouac road-

i feel the beat

and go to sleep

with some more story told.



 

 

This Theatre of Show

i want to go
where love songs grow,
on the radio
into someone's heart.

i want to know
if i play too slow,
and fade before the glow
can flame and spark.

i mend a dream,
distil it, to mountains seen
through mind and eyes potcheen,
lotioned by loves mark;

with tongue dabbing gleam
in fast flowing stream
of sweet nectarine
from sun up through sun dark.

i want your glow
in the thoughts i know,
before they dim down low
and depart-

this theatre of show
above and below,
where we all act to know
our own part.

so many vines
in the times
i know,
grape, but fail to flower.
i taste their wine
in its summertime,
but show
i am just a shower.

 

 

The Mess of Thrown Off Clothes

 

i listen

to your love beads glisten

in the flotsam

of my room-

 

we make them

from samurai sword folds

at forge and loom

in the mess of thrown off clothes.

 

so many smoke me kisses

at portal doors,

and mithril wishes

on primitive floors-

 

take us back again

through heath and fen

to imitate

lost landscape-

 

cycle

and circle

sky and stone

outside and home-

 

in love in less

with your heavenliness,

and loneliness

durable under duress.

 

 

 

Strider Marcus Jones – is a poet, law graduate and former civil servant from Salford,

England with proud Celtic roots in Ireland and Wales. He is the editor and publisher of

Lothlorien Poetry Journal https://lothlorienpoetryjournal.blogspot.com/. A member of

The Poetry Society, his five published books of poetry  https://stridermarcusjonespoetry.wordpress.com/ reveal a maverick, moving between cities, playing his saxophone in smokey rooms.

  

His poetry has been published in numerous publications including: The Huffington

Post USA; The Stray Branch Literary Magazine; Crack The Spine Literary

Magazine;The Lampeter Review and Dissident Voice. His poetry has been nominated for the Pushcart Prize x3 and Best of the Net x3.



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